Anyway, I thought this was an interesting article and so am sharing it with you.
The artistic director of a large institutional theater referred to me as “pro-artist” a few years back. It was meant to be a derogatory comment. When did being “pro-artist” make one an enemy of resident theaters? When did large theater institutions begin to see their own interests as threatened by the interests of artists? And do we think this is a positive development for the American theater?
I find it disturbing that those that have attempted to shine a light on the needs of artists and the fact that those working in institutions have fared rather well relative to the artists they employ over the past thirty years, are now seen as divisive.
In other news, Theatre Ontario has reminded us that the October 1 deadline is coming up for the Professional Theatre Training Program
Our Professional Theatre Training Program (PTTP) offers financial support for unique and flexible training with a chosen mentor in any theatrical discipline except performance.
And finally – Playwrights Guild is having a Summer Book Sale! you got your Michael Ondaatje, your Rick Salutin, your George F. Walker, your Moynan King and many others. Take a wander to their website to see what they have and how to get it.