Posts tagged ‘Theatre’

March 22, 2013

Job Opps, Job Descriptions and Things on your Timeline

CAHOOTS THEATRE COMPANY is seeking applications for the position of ARTISTIC DIRECTOR

Cahoots Theatre Company has been dedicated to the creation, development and production of new Canadian plays that reflect our cultural diversity for 26 years.  Cahoots Theatre Company believes that theatre should reflect the richness, diversity, and complexity that we live daily. Diversity means more than race or nation of origin or ethnicity. It also encompasses gender, sexual orientation, ability, language, and class.  Cahoots is a registered charity.
Please see
http://www.cahoots.ca/company/job-opportunities/

Cahoots did a good job on their job description – on that note I found this article at bizlaunch the other day.

Finally for today (it’s Friday of a long week) a question that came up in Monday night’s class was on how to keep certain stories from specific people off your Facebook timeline – whether it’s items you’re sensitive to or you’re simply tired of cat pictures. It’s a combination of things – Facebook is something you can do your best to tailor to your individual needs. I still like the explanation I heard a while back – people can put whatever they want on their walls, and you can put whatever you want on your wall, and that news feed is just that – an aggregate of everyone’s whatever they want. If you don’t want to see certain stories there are things you can do, from hiding that person, to hiding certain stories, to changing the status of your friendship with that person. But it requires you to do something. Found this on my newsfeed.  Same folks who created the un-baby me app for folks who were tired of seeing so many pictures of their friends’ toddlers and tots.

Lisa and I were talking last night on the way home from The Whipping Man – it’s brilliant, by the way and you should go and see it -  about the fact that we’ve been part of five shows that have opened since February 7. An opening on February 7, February 14, March 1, March 14, March 21. We have been BUSY, and we’re proud of the work we’ve done. And today marks the first read through for another production.  Add that in with three teaching/guest speaker events this week, plus new client consults and RFPs and I’d say business is going well and I thank friends and colleagues and past and present clients.

Things I want to talk about next week include the power of hearing something on stage, not seeing it.

I also got to thinking about our city. I spent two days guest speaking at a school that is in the far reaches of East Toronto – a GO stop away from Pickering, and The Whipping Man is at the Toronto Centre for the Arts in North York. Two places that are remarkably different from where I live in Parkdale.

Happy Friday!

March 14, 2013

March 27 is World Theatre Day

Wednesday, March 27. 2013 is WORLD THEATRE DAY

I am giving you a week’s notice so you can plan to do something other than smile weakly at someone around three pm and mutter, “uh – happy theatre day?” Read on.

As far as I can remember, everything I have ever learned, and that has mattered to me, I have learned through storytelling. And I have learned much by being told and telling stories through theatre…

D’aussi loin que je me souvienne, tout ce que j’ai appris et qui a de l’importance à mes yeux, je l’ai appris par la voie des contes. J’ai appris énormément par les histoires qu’on m’a racontées et celles que j’ai racontées au théâtre.

March 11, 2013… The Professional Association of Canadian Theatres (PACT), Playwrights Guild of Canada (PGC) and  l’Association des théâtres francophones du Canada (ATFC) have once again joined forces to promote World Theatre Day from  a distinctly Canadian  perspective.

Says Micheline Chevrier, Associate Director of Imago Theatre“I am very honoured to have been asked by PACT, PGC and ATFC to write the message on the occasion of World Theatre Day. In doing so, I have had to reflect on the importance of telling stories, taking risks and broadening one’s understanding of the world. It has been a great gift. I look forward to reading other messages and taking inspiration and strength from those thoughts into my work.”

Created in 1961 by UNESCO, World Theatre Day is celebrated annually on March 27 by theatre communities around the globe. The impetus behind World Theatre Day is to honour and further UNESCO’s International Theatre Institute’s goals to:

  • Celebrate the power of theatre as an indispensable bridge-builder for mutual international understanding and peace.
  • Promote and protect cultural diversity and identity in communities throughout the world. Each year, a renowned theatre artist of world stature is invited to craft an International Message to mark the global occasion. This year we are proud to add a distinctly Canadian voice to these messages – click here for the full text of Ms. Chevrier’s message, and watch the french version video release embedded below.

How can you or your company be a part of the celebrations? Visit the PACT website for a list of easy ways to start a conversation, make an offer to audiences, or ways to let others know you’re celebrating the importance of theatre in Canada. You can also visit the PGC website and take part in the one tweet play challenge.


For more World Theatre Day info and activities around the world, visit:


http://www.tcg.org/international/events/wtd.cfm


http://nycwtd.com/home.html

www.iti-worldwide.org/

WORLD THEATRE DAY
Wednesday, March 27, 2013
Locally, Nationally, Internationally, Live and On-line

 

December 13, 2012

Client Shout out

Usually at the end of the year I do a touch up to my projects list, so thought since I was here, I’d update you as well. These are fantastic companies I’m working with – be prepared to hear more about them

We’ve just closed the books on our wildly successful production of Proud, and we’re continuing to work together on something.

Expect Theatre Company (we worked together for Fringe 2010) is in the 2012 Next Stage Festival with their production of Awake and I’m working with them again in marketing.

Still happily working with OCAF on social media and PR – and they’ve got an anniversary coming up in 2013!

Small Print Toronto and I are working on a communications strategy to let the world know about the amazing events they put together for small people, including my favourite, Totsapalooza.

Just signed on with Harold Green Jewish Theatre/Obsidian Theatre to do PR and communications for their upcoming production of The Whipping Man, which is an incredible script.

Working with the fine folks over at The Quickening Theatre on their spring show The DeChardin Project, and looking forward to it.

Tidying up last loose ends with Young Associates from social media strategy to a webinar Heather and I did together for ACCA

Fall production of Math Out Loud out of Vancouver!

I’ll know about two more (exciting!) by the end of the day.

Quick volunteer update – Friends of the Arts, Toronto Fringe Festival, and we had out first meeting for Artsvote 2014 yesterday. Be prepared.

I love my clients. I love working with them, and I really love the art they create. Pleasure to be working with them.

 

September 12, 2012

Hiding Words – ticket deal!

It’s my birthday today! This past year has quite possibly been one of the best years of my life. With that in mind, I am sharing the love and passing on a cool ticket deal for Gein Wong’s play HIDING WORDS (for you).

Hiding Words (for you)  delves into nushu, a secret language created in 400 A.D. when Chinese women were not allowed to read or write. Set in China during its biggest 19th Century rebellion, a modern Canada where national security is at a heightened state, and a hip urban Hong Kong on the eve of the Beijing Olympics. This interdisciplinary play examines the relationship between women connected through space and time, following their pursuits to influence social change.

Gein Wong has done some amazing work, theatrically inventive, passionate, fearless, organically blending traditional Chinese motifs with video installation, hip hop, modern dance.

Esther Jun directs, and the cast includes the powerful John Ng, Stephanie Jung, Paul Lee and others. It’s running at Harbourfront from September 13 to the  23, 2012.

Book your tickets online, or you can book by email at websales@harbourfrontcentre.com or by phone at 416-973-4000. You can quote the promo code  NUSHU for $21 tickets.  I’ll be going.

September 6, 2012

14th in Innovation – Mom isn’t putting that grade on the fridge

From the Globe and Mail: Canada must refuel for cultural creativity

Sixty years ago, the Massey report created our first cultural “road map” by boldly recommending the establishment of a Canada Council to support our creative and interpretive artists.

Its recommendations also strongly encouraged a National Library and the growth of our core national cultural institutions: CBC-Radio Canada, the National Film Board, our archives and museums and scientific research. It affirmed the importance of culture to Canadian society and linked the development of a distinctive Canadian culture to our sovereignty and survival.

These recommendations produced remarkably positive results. However, culture has since been relegated to “niche” status under successive governments, and the cultural sector as a whole has been relegated to the periphery of policy-making.

So that was sixty years ago. Now from the Guardian: Why major theatre institutions should be left to die

The artists of tomorrow are not made through funding an elite, but by funding at the bottom of the pyramid – a pyramid that we have created and sustained during the good times but now seldom question, even though the landscape will look very different in the coming years.

We should stop building bricks and mortar and empires, and rid ourselves of the belief that growth is a good thing for the arts. We should put money into the bottom of the pyramid, not the top – it is only by funding the bottom that we can create the future.

Lots to think about.

In other news, our Mayor is in court proving spectacularly that stupidity isn’t illegal. Steve Kupferman from torontoist did some great live updating yesterday.

June 1, 2012

Rainy Day Post

It’s finally raining! My garden will be pleased.

The other night I was trying to figure out how to make an excel column “sticky” so it wouldn’t move when I scrolled down the page. I asked my Facebook friends – it’s called “freeze panes” and it’s under View in Microsoft Excel 2010.
I’m not really a fan of the new Microsoft layout. I can’t seem to – FIND – things.

While I was looking for freeze panes info (and how to convert table to text) I also found this article which I thought was funny and true – for everyone admin-ing in the rain today – 10 Things I can never find in Word 2007.

In social media news, an article from a colleague – Facebook Finally Lets Page Admins Schedule Posts, Have Different Roles. I tried it – it works. There’s a little set up involved (but when isn’t there in life?) but it does work.

This is NOT to say you’re going to schedule all your posts and then just LEAVE. You’re not going to do that because what if a post gets a response that requires a response? What if the post  – doesn’t? What if the post screws up? Remember Director Fury’s Advice – be the person behind the tech, not just the tech.

Finally – I’ve mentioned I’m working with Sheep No Wool Theatre Company – they’re putting on the Edward Bond Festival in less than two weeks. Great interview here from The Way I See It theatre blog – have a read!

Happy Friday – oh – if you’re looking for something to do this weekend, catch Stockholm at the Tarragon Extra Space before it closes. Some really nice stuff on that stage.

March 27, 2012

It’s World Theatre Day

I wish we did more to celebrate it in Toronto, outside of our industry, other than seemingly posting it on Facebook and awkwardly saying it to each other.

I wish it  were valued enough that it was a stat holiday, like Family Day and you could spend the day seeing theatre with your loved ones, free theatre, theatre at a discount, specially planned event, that everyone would be talking about what they did for World Theatre Day at the water coolers tomorrow and the morning talk/news shows would be asking people to tweet in what they did for World Theatre Day to win prize packages with the hashtag #WTD.

We’ll keep working on it. Meantime,  here’s a great presentation about the message from John Malkovich for the 50th Anniversary of ITI.  Definitely worth a watch.

Happy World Theatre Day.

 

 

February 23, 2012

Some of My Best Friends are Equity Members, Vol. 2

Message in my in-box last night from the fne foks over at Convergence Theatre, and said I`d share with you.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hello Fellow CAEA Members!

So, the time has come for us to rally the troops once again…

After more than three years, Equity is finally taking steps towards creating new policies for indie agreements, as reflected by members’ feedback in the ITRC survey.

While it would be easy for us to sit back and watch Equity go about their business, we need to keep up the pressure and make sure our voices are heard, and that they stay on their timeline.  To this extent, Ed Roy is putting forth a motion to ensure that Equity understands the degree of importance and urgency with which members would like to see action be taken.

It is vital that we have the numbers and voices to support this motion!

The motion reads as follows:

WHEREAS Equity Member/Creators have demanded action on indie theatre issues for the last three years, expressed in the form of member resolutions at previous National AGMs, which resolutions passed 96-1 in February 2009, and 42-4 in October 2009;

 

AND WHEREAS the Independent Theatre Review Committee (ITRC) was formed in response to the demand for action on indie theatre issues and completed its work in September 2011;

 

AND WHEREAS the suggested policy changes resulting from the ITRC’s work on indie theatre issues have been debated and will soon be put in place by Council;

 

BE IT RESOLVED that Council require the Executive Director to deliver a plan that will directly address indie issues to CAEA members that will finally address indie theatre issues no later than October 31, 2012.

 

BE IT FURTHER RESOLVED that should the Executive Director fail to deliver a new indie plan to CAEA members by October 31 2012, then until such time as this new indie plan is delivered, that Council enact policy to enable members to work under any currently existing CAEA agreement, policy or guideline (with the exception of engagements governed by a negotiated agreement) as such individual member deems appropriate including the Festival Policy, the Guest Artist Policy, the “Indie” Policy, the Small Scale Theatre Addendum or Co-op Guidelines, without CAEA staff approval and without CAEA penalty or repercussion.

As a concerned and invested CAEA member, we kindly ask that you do the following:

1.  Invite 3 people you know, who are members of Equity.  Tell them what’s been going on, and that their support on this motion is needed.  Ask them to be there on:

Date: February 27, 2012

Time: 7:00-10:00 p.m. (doors open at 6:30 p.m.)
Venue: Gladstone Hotel (Ballroom)
Location: 1214 Queen Street West, Toronto, ON

Food & Booze!

2.  Ask them to invite 3 Equity people they know and repeat.

If we all ask 3 people, that would be grand.  If you have time to send out a mass e-mail, that would be even grander.

Looking forward to seeing you at the AGM!

Tags: ,
February 3, 2012

Linky Friday

Still more things I’d bookmarked and forgotten to tell you about. They’re good for a Friday, pictures and a TED video, which are always good.

75 Abandoned Theatres From Around the USA – I would prefer it if this was not the fate of our city-owned theatres. Beautiful buildings.

Canadian Stage has announced its 2012/13 season it looks fantastic and you KNOW which production  I cannot wait to see.

I’ve created a new page called Panels+Workshops so you can see which one’s I’m doing when. It is in progress.

And here you go: Use art to turn the world inside out. And have a good Friday.

January 26, 2012

Should Art Really Be For Its Own Sake?

Gotta love the Guardian.

You often hear it said that “museums of art are our new churches”: in other words, in a secularising world, art has replaced religion as a touchstone of our reverence and devotion. It’s an intriguing idea, part of the broader ambition that culture should replace scripture, but in practice art museums often abdicate much of their potential to function as new churches (places of consolation, meaning, sanctuary, redemption) through the way they handle the collections entrusted to them. While exposing us to objects of genuine importance, they nevertheless seem unable to frame them in a way that links them powerfully to our inner needs. Read more…

Yesterday was a double barreled day of theatre – The Golden Dragon at Tarragon, then Cruel and Tender at Canadian Stage.

I`m still thinking about Golden Dragon. I loved it. I love when a play raises questions and makes me think.  From Mooney on Theatre“You will never forget that you’re watching a play. If the cross-gender, cross-age and cross-ethnicity (is that a term?) characters doesn’t pull you out of the experience enough, then the spoken stage directions and occasional ‘nudge-nudge-wink-wink’ type of action to the audience will.”

It’s true. It’s thought-provoking and at the same time, the speed at which you accept all of the above and begin to embrace it is uncanny. I was lucky enough to go for dinner after with a group of theatre friends – I love that. I love that when we love a play we flip it over and eviscerate it, tear it apart, try to find the meaning, try to go deeper:  “did he purposely do that?” “what if that wasn’t intentional?”  “That was a really important line – was it deliberately treated as a throwaway?” Anyone listening would think we hated it, save the occasional, “I LOVED IT!” that punctuates the conversation. That is how we show our love.

Cruel and Tender has its roots in Sophocles The Trachiniae and so we have a Greek Tragedy modernized. And modernized really well – it`s a dense piece, it`s heavy, it`s worth it. Classical theatre  manages to resonate to a modern audience – the themes, the message, the questions it raises. A tiring night in a good cathartic kind of way. And Daniel Kash in his final scene has him chewing up the scenery and spitting it back in your face. Wonderful stuff.

Again – these aren’t reviews. They’re what I think about what I did yesterday. I love that I had a two play day yesterday.

Last week I posted a theory about the ability to do a twelve-hour art marathon in this city and cover all genres. I’m doing it next month. Stay tuned for details – I got it all planned out in my head.  AND I’m doing it on a budget.

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