Posts tagged ‘Toronto Fringe Festival’

May 23, 2012

Brother can you spare a five?

Less than a year ago I didn’t know anyone who was raising money in small increments – the eyes were on the big prize, the large gifts, suitable for naming and framing. Over the past few months phrases like “kickstarter” “indie go go” and “go fund me” have been popping up with more and more frequency in my messages, inbox, and on my Facebook feed.

Here are some of the ones I know about. Click on the thumbnails for more info on each.

The Fringe Creation Lab  Bricks and Mortar for a Movement – One of the greatest challenges of being an artist in the city is finding a financially and physically accessible space within which to rehearse and create.  That’s why the Fringe opened the Creation Lab with subsidizes rates for as little as $5/hour. Keeping the Creation Lab space rates so low is REALLY important to the independent arts scene in our city.  By supporting the Creation Lab, you are supporting creativity, innovation, and the grass roots organizations that make our city so vibrant.

Proud by Michael Healey Donations made on this page will go towards funding the world premiere of Michael Healey’s Proud in Toronto, Fall 2012. The third in a trilogy of award-winning plays about Canadian values, Proud is about what we actually want out of our politics, and our politicians. One man devotes his entire life to moving the country several millimetres to the right on the political spectrum. Will he succeed? At what cost? A Pygmalion for a country that, until Stephen Harper came along, had no need for one.

 

The Edward Bond Festival Campaign A one-time festival celebrating the work of the internationally renowned master playwright Edward Bond. Your contribution will ensure that all eleven encounters we are programming can be carried out as planned: six workshop readings of Bond’s works, a workshop presentation of Bond’s play Have I None with the collaboration of Bond himself before a live audience, a Symposium featuring Edward Bond and UK director Chris Cooper, and an acclaimed Ryerson Theatre School remount production of Bond’s epic play The Bundle, with a festival finale political theatre cabaret The Wrecking Ball.

 

Artist with Brain Injury needs refurbished computer – I suffered a trauma-related brain injury (c-PTSD) and have been living with the support of the Ontario Disability Support Program. I am at the end of my trauma therapy at Women’s College Hospital, where i am enrolled in a visual art programme.  My work is shown at the SPEAKArt Gallery, Artscape Triangle Gallery, and I will be making art live at Roncy Rocks Festival, The Annex Patio Art show and at my official Scotiabank Nuit Blanche Installation in September. I want to use these opportunities to start a conversation about brain injury. Please help me get a refurbished Macbook Pro so I can continue to create art.

 

As today’s complete aside I was at Panamerican Routes last night to see the opening of Blue Box. A fantastic show of ups and down, laughter and knowing glances, and a throughline to make you think. And salsa! Go catch it if you can, or see something else – it’s a great festival and full of a ridiculous amount of talent. And Aislinn Rose captured one of my favourite things – when Toronto theatre spills into the streets.

 

 

 

 

May 8, 2012

Bits and Pieces Tuesday

Harold Awards last night and as always a good time was had by all. As I said in my Facebook status – What a great night. People I love getting hardcore recognition and fancy trophies, seeing people I don’t get to see enough, hugs and laughing and some welling up – the Harolds are different every year except that the love is the same. Congrats to the recipients and the committee. Delighted there is a new Award – The Annual Volunteer Appreciation Award and doubly delighted it went to Barbara Fingerote as its first recipient.

Working on a Workshop I’m doing for CDA on May 17th – click here for details.

The Fringe Creation Lab has launched their IndieGoGo campaign! Skip a coffee or two and donate the proceeds to keeping an important rehearsal space going  – five bucks buys an hour of rehearsal time. If you want to, you could donate more. If you want the coffee anyway, that’s up to you, but be prepared to lie awake, tossing and turning, haunted by the thought of artists with no space to work.

Seems there are online fundraising campaigns going on everywhere you look, but we still lag behind the US of A. Click here to find out why it’s easier to crowdfund down south.

Final thought – RIP sir. Your genius will be missed

April 30, 2012

Rules of Engagement

Great article by Michael Kaiser on Engaging Audiences. This paragraph struck me in particular:

It is ironic to me that this topic is the focus of so much current attention since, for decades, the mission statements of most not-for-profit arts organizations include explicit mention of the desire to influence, educate, inspire or entertain specific audiences — in other words, to engage them.

He’s got three simple questions that need answering. I personally like the first one – just exactly who are we trying to engage with? Most of the audience engagement techniques being used are youth oriented – Tweet seats and eating in the theatre are big topics right now,with as many for as against. (It’s interesting to note that there’s a fairly clear divide in age segments in this argument.)

From the Globe article: Canadian conductor Julian Kuerti privately expressed frank dismay at the way North American orchestras were jumping on the social-media bandwagon in attempts to draw new, younger audiences.

“As an artist, I care deeply that there is a lot of meaning, a lot of substance in what we do. That is what is attractive about it,” he said in a recent interview. “Instead, we try to bait and switch, to fool people into coming to a concert because it is supposed to be interactive … If we are not careful, we will wind up with an audience who is not there for the same reasons as the musicians are on the stage.”

This of course brings up and even bigger question about attending an arts event – Why are we there? What are the rules of engagement in attending the arts? Do we need a whole new set? Do the previous rules need to be examined and added to or subtracted from? Or can it be viewed as a challenge to audience members – asking the question, are you capable of unplugging for 90 minutes? Or, to a whole new tech generation, is that even an option? From the G+M comments (abridged)

I can’t think of anything more stifling than paying to sit next to strangers in a dark room, with the all that entails, shoot me now. Life is physically hard enough having to commute to work every day and take public transit. Why would anyone thinks this is a commendable activity…?

Lots to think about today. While I’m thinking I’m gonna go book some rehearsal space at the Creation Lab.

April 17, 2012

In Which We Present: Things Fringe

Anyone who knows me at ALL knows of my love and support for the Toronto Fringe Festival. I have attended for years, I have held my own in the tent, overseen lotteries, worked on productions,  and am Vice President of the Board of Directors. It has gone from an awesome two-weeks-in-July festival to  two-weeks-in-July/two-weeks-in-January to an organization that is brimming with art and activity year round. Its staff goes from five to five hundred in the blink of an eye. You might not know about everything happening over there.
May I present Things Fringe for today’s blog post, which will also be replicated as a PSA in the What’s On section.

Things Fringe lately:

THE LOL CAMPAIGN!

The Lots Of Little Campaign – our crowd sourced campaign to raise $5000 through bits and pieces of donations… your $5 makes a big difference, your $10 means even more.  As Lots Of Little Donors, you receive a special LOL Button to wear proudly at this summer’s festival (to get you off the hook from tipping at the door!) and will have your name listed on our website.  Donations over $10 receive a charitable tax receipt. Here’s a video to watch!  Now go check the change jar.

~~~~~~~~~~~~~

THE ONE HUNDRED!

Our new Outreach Coordinator, Pip. Lemurs not guaranteed to appear.

The Toronto Fringe is Recruiting 100 Young Theatre Entrepreneurs.  Are you ready for it?
–You are between the ages of 17 and 24 and you’re ready to take the theatre world by storm
–You are ready to burst your theatre-conservatory-drama-club-summer-arts-camp-theatre bubble
–You think that it takes more than ‘just acting’ to make it as a theatre artist
–You aren’t a follower…you’re a doer, a leader, a mover and a shaker
Jump into the real world this summer and join

The 100: a 12 day immersive theatre entrepreneur bootcamp at the Fringe Festival.


Extended info here, application here, Facebook Page here. There – you`re good to go.

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Last but oh so certainly NOT least, I present:

THE CREATION LAB!
The Creation Lab is the  home of the Toronto Fringe and the indie arts community. The Lab consists of two studio spaces and the Toronto Fringe admin office, both housed on the 4th floor of the Centre for Social Innovation in the Annex. (Just steps away from Bathurst Station.) Both studios are available for anyone to rent at anytime to do whatever they want. The spaces can be rented at various levels of subsidy, on a first-come, first-serve basis. The studios are already a buzzing arts hub, bookable all hours of the day and night, where artists can focus on their craft and connect with their community without breaking the bank.  There was a great article in BlogTO a while back if you’d care to read. Now go book some space.

These are but THREE THINGS. May I humbly suggest you check out the website for more opportunities, including volunteering.

April 16, 2012

#beans and counting new ones

I went to a fantastic presentation today – COUNTING NEW BEANS: INTRINSIC IMPACT AND THE VALUE OF ART  by Clayton Lord, Director of Communications and Audience Development for Theatre Bay Area. He’s also the editor of the brand new book, Counting New Beans: Intrinsic Impact and the Value of Art, (which I will definitely be purchasing) and author of the New Beans blog at artsjournal.com which I will definitely be following.

Here’s the link to the Intrinsic Impact site.

I tweeted during the event, mostly the questions that were being asked, as well as some interesting comments and  answers. It’s #beans if you’re interested. Lots of bigger picture things to think about:

When the art is the best it can be, you become inarticulate, it’s impossible to describe. #beans

Anecdotes vs numbers – should these things exist in tandem? The numbers always win. #beans

How do we make the unmeasurable measurable? “if you can describe something, you can measure it.”  #beans

How and when and where is it important to audiences to “prepare” for an artistic experience? #beans

Great inspirational stuff. It’s been a good week of things like this, from Simon Brault’s plenary, to Tim Jones’ challenges to us, and now counting new beans.

I have lots to think about. And a lot of work to do. Gonna go do both.

TOMORROW: A post dedicated to all things Fringe.


 

 

 

March 30, 2012

Federal and Provincial Budgets – What do they mean for the arts?

 

In my inbox from the Toronto Arts Foundation.

 

Federal and Provincial Budgets – What do they mean for the arts?
Artists and arts organizations will be relieved to learn that the federal and provincial governments have both protected the arts councils from cuts to their granting programs.  The Canada Council for the Arts, the Ontario Arts Council and the Ontario Trillium Foundation will not sustain budget cuts despite broad based reductions in other areas.
The full impact of the government budgets will be determined over the next few months.  It is clear that reduced investment in the culture sector will have a ripple effect   Major items are listed below:

2012 Federal Budget Arts Highlights:

There will be no cuts to the Canada Council for the Arts.

The CBC has been cut by 10% ($115 million) over three years.

The Department of Canadian Heritage’s operating base of $2.8 billion has been cut by 6.9%.

In addition to the Canada Council, the National Gallery and national museums will not face budget cuts.

Telefilm’s budget is being cut by $10.6 million and the National Film Board is being cut by $6.7 million.

2012 Provincial Budget Arts Highlights:

There will be no cuts to the Ontario Arts Council, Ontario Trillium Foundation and Ontario Media Development Corporation.

Luminato’s funding from the Ontario government will be cut by $1.5 million for 2012-13 and $2 million for 2013-14

The operating budgets of Ontario’s Cultural Agencies including the AGO, ROM and McMichael Canadian Arts Collection will be cut by 1% for 2012-13 and an additional 1% for 2013-14 and thereafter.

Cultural industry Tax Credits will be maintained.

For additional information contact: Susan Wright 416-392-6802 x 211 susan@torontoartscouncil.org.

 

 

March 4, 2012

Sunday Roundup – March 4

Let’s get to it.

Meetings, Grants, Meetings and a New City – a lot of meetings last week for everyone.

Tomorrow is the 12 hour Arts Marathon – your update on what was going to happen during #12hAM.

February 29 – Arts Marathon – weather conditions, clothing conditions and equipment. For the rest of the day is was all on Twitter at #12hAM.

Job Posting: Executive Director, Toronto Fringe -self explanatory.

Art Is Too Expensive and There’s Nothing to Do Anyway. – the culmination of #12hAM – with pictures!

Blog Post from Mission Paradox – Is Admin an Art? Good article. Good question. And I agree with the final answer.

Today is an admin day, no doubt about that. And some of it consists of government forms and try as I might, there is no art in them.I cannot find it for the life of me. But as in life, some things have to be done.

But after than I’m doing a social media plan for one new client, and reading the play of another, then figuring out a marketing nad PR plan for that play,  and figuring out a VIP list of just who needs to see the art of another client. And I’m also going to start thinking of visual ideas for some online advertising for someone else.

Three pages of government forms ain’t nothin’ compared to doing the rest of it. Have a good day.

March 1, 2012

Job Posting: Executive Director, The Toronto Fringe

The Toronto Fringe Board of Directors announces their search for a new Executive Director. After five years of dedicated service, current Executive Director Gideon Arthurs will be moving to Tarragon Theatre as their General Manager. Under Gideon’s leadership, the Fringe Festival has quickly become one of the leading independent arts organizations in Toronto, and the Fringe is looking for the best and brightest to continue to nurture and develop the incredible strength of the Fringe movement.

Entering its 25th season next year, the Toronto Fringe is at a vital moment in its history as it completes a transformation from a single event producer to a year-round organization dedicated to facilitating access to creative opportunities for artists, youth and audiences. The successful candidate will be a leader in the arts community with vision, creativity, and a lot of energy. He or she will also need to have a complex understanding of the arts ecology and its various communities.

The Fringe’s flagship event, the Toronto Fringe Festival, presents 150 productions at 30 venues across Toronto over 12 days in July. The festival welcomes 90,000+ visitors and includes an expanded Fringe Club at Honest Ed’s, various workshops, contests and parties. The Toronto Fringe’s winter festival, the Next Stage Theatre Festival, presents up to 10 productions by artists ready to move beyond the summer festival model. Next Stage audiences have grown more than 135% over the past four years to over 7,200 patrons every January. In addition to the festivals, the home of the Toronto Fringe, called the Fringe Creation Lab, is a new facility that includes administration offices as well as two studios available to independent artists at highly subsidized rates. The organization is run by four full time staff, 115-120 contract staff and 600+ volunteers.

For more information about the position, inquiries can be made by telephone to 416-966-1062.
Submission Deadline: Friday, March 30, 2012 at 5pm
Start Date: late May/early June, 2012

For more information, please follow the link: http://fringetoronto.com/about/jobs.html
www.fringetoronto.com

February 27, 2012

Meetings, Grants, Meetings, A New City

It’s absolutely Monday around here, I have two grants I need to get under my belt (March 1 deadline) so I can do the 12 hour Arts Marathon with impunity. I’d like to point out that today the day I’m inside writing is a gorgeous day out, and that weather for Marathon Day is looking rainy and weird. I am Canadian. I will be prepared for anything, anytime.

Reminder to my Equity Friends – you have an important meeting tonight.

Reminder to me – I have a Board meeting tonight, so two grants and a scope of work for a social media plan had best be done by then.

I mentioned yesterday I was at Totsapalooza: Mouse City Calling. What a great event. We all know my child to recovery time ratio is 1:1.5  – but so much fun – bands and story telling and a fantastic city built by smalls, presided over by Mayor Adam Vaughan. Pics below is my usual not so great blackberry phone documentary style. I call it Gist Style – you get the gist of it.

Congratulations Small Print Toronto.

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January 29, 2012

Sunday Roundup – January 29

It wasn’t that long ago that we were ringing in the New Year and making resolutions and yet within this week it will be February. Too many of my besties get a case of the drears this month, so we shall try to keep therir spirits up and make some merry.

So about last week…

Video Post: Pay The Writer – excellent video story. Pay people. Pay them what they are worth. Because we love what we do does not mean we should be giving it away for free.

Creation Lab and Doc Challenges – the Fringe Creation Lab was open for an afternoon last week for folks to go and work on creative stuff with other creative folks. It’s an excellent energy. Also, HotDocs has a great contest going.

Should Art Really Be For Its Own Sake? – oh we do love this question, don’t we? Highest clickthrough rate last week.

On Attending Workshops – I really do love them.

I saw a lot of things last week from Sing A Long Grease at the Lightbox, to Golden Dragon at Tarragon and Cruel and Tender at Canadian Stage, and the afore mentioneds workshop of Walk Like an Egyptian. There is a ridiculous amount of really good stuff going on in our fair city these days. Go see some of it.

Social Media Week is just around the corner, the workshop I am doing in partnership with Parkdale Village BIA is sold out, which is amazing, and  I’ve just confirmed to be on another panel as well. Busy week.

Quick note that a colleague of mine asked me to promote this survey to artist-type people. Artscape is planning a centre for creative sector entrepreneurship called Launchpad. Click here to tell them what you’d need, folks.

And I’ve decided that the 12 hour art marathon will be happening in February. More on that later.

And finally I was at the Cameron House last night to see Little Jimmie’s Chicken Pickers which is always a fun night of friends and laughter and music. It is also a kid-friendly event and there are usually a half dozen smalls there dancing like crazy. We come to listen and sing a long, they come to dance with purpose and feeling.

The highlight for me was a little sprite named Eliana.  We had a little chat in the backroom, where we discussed her age (2)  and the age of her stuffed animal (Elliot, also age 2) and how much she had liked the music.  I said I really liked her dancing, and it looked like she was having a lot of fun. She agreed, nodding vigorously, and said, “Yes it was fun, I was doing amazing twicks.”

I hereby declare February to be the month of Amazing Twicks. Go out and do some.

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